colorful mural of five people on a businessfront

Toni Morrison

Euclid Ave. Mural

Cleveland, Ohio

By Monique Wingard

In the tapestry of life, sometimes the threads that pull us away are the same ones that guide us back home. In 2013, the job market in Cleveland had left me feeling shut out, unwanted, unworthy. I hit the road for a job in Chicago, in pursuit of a better life. After ten years away, I came back to be closer to home. When I returned, while walking through downtown Cleveland, a striking mural caught my eye. There, prominently displayed on the side of a building at 334 Euclid Ave., alongside LeBron James and Tracy Chapman, was the face of Toni Morrison — Nobel laureate, Pulitzer Prize winner, and Ohio’s own literary giant.

As I stood before Morrison’s portrait on that Euclid Avenue wall, it was her smile that ignited my renewed sense of purpose and belonging. The mural, commissioned by Browns player Myles Garrett and created by Glen Infante, welcomes visitors near Destination Cleveland, and it now served as a powerful reminder of Morrison’s legacy and the potential within every Black woman from Ohio to persevere in the face of adversity.

After nearly a decade away, I felt a surge of emotions as I stood before Morrison’s mural. The vibrant colors and bold lines captured not just her likeness, but her spirit — unapologetic, fierce, and inspiring. As I gazed at the mural with my mother by my side, I was struck by a sense of homecoming and responsibility. Morrison’s watchful eyes seemed to ask, “What will you contribute to our shared legacy?”

This mural takes on even greater significance in light of recent statistics. In 2020, Bloomberg CityLab published a report analyzing the livability for Black women in 42 U.S. cities, based on health, education, and economic factors. Shockingly, Cleveland — with its nearly 50% Black population — ranked dead last. This statistic is sobering, but it’s crucial to understand its context. While the label of “worst city for Black women” holds some truth, it also leaves room for change and renaissance. It should prompt us to demand that Black women and organizations in Cleveland remember their power and responsibility to advocate relentlessly for each other and for a better life in the city.

Morrison once told an audience of college students, “The function of freedom is to free someone else.” Her words resonate powerfully, encapsulating the responsibility we have as Black women in Ohio — to lift as we climb, to create opportunities for those who come after us, and to transform our communities. The mural reminds us of this responsibility. It challenges us to stand up, be counted, and hold ourselves and our community accountable. It urges us to be persistent in our pursuit to change Cleveland and uplift the entire state of Ohio.

As we look upon Morrison’s face on that Euclid Avenue wall, we must ask ourselves: How can we embody her spirit of unapologetic Blackness and unwavering determination? How can we weave our own threads into Morrison’s tapestry of Black womanhood?

We can start by:

  1. Supporting and uplifting other Black women in our communities
  2. Advocating for policies that address the disparities highlighted in the CityLab report
  3. Creating and supporting spaces for Black women to thrive in business, arts, and education
  4. Mentoring young Black girls, ensuring they see the potential within themselves

The Toni Morrison mural in downtown Cleveland is more than just a beautiful piece of art. It’s a beacon of hope and a call to action. The mural entitled, “Cleveland is the Reason,” was created by artist Glen Infante in April 2021 to remind the world that he and others are proud of the people who have shaped the city. The mural reminds us of the power of imagery, our words, our actions, and our unity. As Black women in Ohio, we have a responsibility to change the narrative, to rewrite Cleveland’s story, and to continue the work that Morrison began. Let us stand tall, speak boldly, and act with purpose, knowing that we carry within us the same strength and resilience that Morrison embodied. By doing so, we honor her legacy and create a better future for all Black women in Cleveland and beyond. As Morrison would have done if she were still with us, let us be relentless in our pursuit of justice, equality, and empowerment for Black women in our city and our state.

My exodus in 2013 was born of necessity and hope — a pursuit of better opportunities in a job market that seemed to have no place for me. At the time, I couldn’t have known about the harsh realities that would later be quantified when CityLab named Cleveland the worst city for Black women. Yet, as I stood before Toni Morrison’s vibrant visage on that Euclid Avenue wall, I felt a renewed sense of purpose and belonging, despite the sobering statistics that had emerged during my absence. Chicago had been great, and D.C. okay, but neither quite felt like home. There’s a unique rhythm in Ohio that resonates in the souls of those born here, whether in my birth city of Dayton or my adopted home of Cleveland. It’s a cadence of perseverance, a melody of pride, and a harmony of shared identity that calls us back, no matter how far we roam.

Now, as I gaze up at Morrison’s unwavering eyes and electric smile, I feel a surge of determination. This has been more than a homecoming; it is a reclamation. A reclamation of my place in this city, of my identity as an Ohioan, and of my responsibility to weave new threads of hope and opportunity for others into the tapestry of Cleveland’s future and beyond.

The city has changed since 2013, and so have I, but one thing is certain — I am home, ready to stand firm and forge a new path in the state that shaped me and Toni Morrison. Armed with the knowledge and experiences gained during my time away, and inspired by Morrison’s unapologetic celebration of Black womanhood, I’m determined to be a beacon for young women — our future leaders. My mission is clear: to ignite a fierce pride in their Ohio roots, a pride so deep that it becomes an unshakeable foundation built by trailblazing Black women like Congresswoman Stephanie Tubbs Jones, activist Mary B. Talbert, philanthropist Dr. Zelma Watson George, and educator Louise Troy.

Together, we’ll rewrite Cleveland’s story, just as Morrison rewrote the narrative of Black women in literature. We’ll transform this city into a place where Black women not only survive but thrive, where every young girl can see herself reflected in the success stories around her. This is our home, our legacy, and our future — and we will make it shine with the brilliance of every young woman who dares to dream here, carrying forward the torch that Morrison and countless other Ohio daughters lit for us all.

A proud Buckeye and doctoral student at Kent State University’s College of Communication and Information, Monique Wingard is a digital transformation consultant who amplifies the digital footprint of women-led organizations by shaping effective communication strategies. Her research focuses on news and media literacy among adolescent girls, with the goal of developing curriculum that enhances their critical thinking skills. She is a member of the Coalition for Independent Tech Research and the National Association for Media Literacy Education (NAMLE). Visit moniquewingard.com for updates on her research, speaking engagements, conference presentations, and published works.

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